The North of England is home. I was born here, I work here and it’s where I will see out my days. It’s a place with its own character, a place largely forged on hard industrial work and one trying to find a new purpose after decades of financial neglect. My home city of Hull captures this in miniature as we’ve shared a journey over the last decade via my novels from 'UK Crap Town of the Year’ to ‘UK City of Culture.’ Tied in with my background in studying Social Policy and Criminology, I’ll continue to map the city and the region’s trials and tribulations.
When his former business partner and mentor, Don Ridley, is found dead shortly after asking for his help, Private Investigator Joe Geraghty knows he has to return to Hull and a city he thought was in his past. Weighed down with guilt, Don’s death points to his days with the police and an off-the-books investigation into the unsolved ‘Car Boot Murder’ decades previously. With dangerous secrets and a conspiracy of silence, the city might have had a makeover during Joe’s absence, but some things don’t change in the northern sea port. With his own life on the line, Joe is unable to stop, a debt to be repaid, but powerful people with vested interests will always seek to ensure some stories stay covered in darkness.
Published in 1970, it’s a touchstone crime novel for all writers wanting to explore the small towns and cities of the industrial north. Leaving London to return home to Scunthorpe, Jack Carter is a man on a revenge mission and wants to know who murdered his brother. With a keen eye for social attitudes and lives in a one-horse town, the novel transcends the page, and under the title of Get Carter, it gives us one of the great crime films of the 20th century. More than that, the novel’s Humber setting taught me I could also write about my neglected home city of Hull.
Set in Manchester, Ray Banks’s gift to us is a razor-sharp contemporary Private Investigator series, a relative rarity within the UK crime writing scene. His surly PI, Cal Innes, may be battered and bruised, but his big heart continues to beat. Finding himself in the centre of a racist uprising in the city, it’s a place that needs a hero and he’s going to be the man who rises to the occasion. Using the classic PI template created by the great US writers, it showed me that I could also adapt the format and apply it to my own writing and PI, Joe Geraghty.
It's Manchester's hottest summer on record and while Callum Innes evicts families on behalf of local slum lord Donald Plummer, the English National Socialists stir up racial tensions to breaking point. A firebomb attack at a Plummer property thrusts Innes into the spotlight as he saves a child from the burning building. But when Plummer enlists his help to track down the arsonists, Innes finds himself dealing with more than the ENS and his rapidly overwhelming codeine addiction. Time's running out and the temperature keeps rising. Manchester needs a hero and Callum Innes is the closest it has.
Stretching the geographical boundary a little, Dolan’s police series takes us to Peterborough, another location scared by political and financial neglect. It’s the terrain I tread in the Joe Geraghty series, our cities are not too different. Beyond that, Dolan also makes giving the police series a fresh shot of adrenaline looks easy. Based in the Hate Crimes Units, DI Zigic and DS Ferreira, give voice to those who are marginalised and without voice, a welcome rebalancing and one that questions the power and position of the police.
No witnesses, no fingerprints - only a positive ID of the victim as an immigrant with a long list of enemies.
Detectives Zigic and Ferreira are called in from the Hate Crimes Unit to track the killer, and are met with silence in a Fenland community ruled by slum racketeers, people-trafficking gangs and fear.
Tensions rise. The clock is ticking. But nobody wants to talk.
It’s always strange when another writer tackles the same city you’re mapping, but it’s also a reminder that we see places in fundamentally different ways. I write about Hull as an insider looking out with David taking the opposite approach, arriving in the city as a journalist. In the debut outing for DI Aector McAvoy, it may be his writing background that allows him to look the place in the eye and draw a fantastically vivid city dealing with multiple social issues, but also one in which he finds its heart packed with spirit and hope.
The New York Times hails David Mark's work as "in the honorable tradition of Joseph Wambaugh and Ed McBain." DARK WINTER is the first book in the internationally acclaimed Detective Sergeant Aector McAvoy series.
A series of suspicious deaths have rocked Hull, a port city in England as old and mysterious as its bordering sea. They have captured the attention of Detective Sergeant Aector McAvoy. He notices a pattern missed by his fellow officers, who would rather get a quick arrest than bother themselves with finding the true killer. Torn between his police duties and his aching desire to spend…
The North of England isn’t all post-industrial urban centres of decay. As well as being home to large and important cities, its green spaces are plentiful and attract numerous tourists to its many attractions. Frances Brody’s PI Kate Shackleton series makes use of Yorkshire’s picturesque and pleasant rural settings, not least the rolling moors leading to the coastal town of Whitby in the series’ eighth outing. Set in the 1920s, Brody’s series is also a reminder of the importance of subverting and challenging social norms, but never at the expense of entertaining the reader.
'Frances Brody has made it to the top rank of crime writers' Daily Mail
'Brody's writing is like her central character Kate Shackleton: witty, acerbic and very, very perceptive' Ann Cleeves
AN IDYLLIC SEASIDE TOWN
Nothing ever happens in August, and tenacious sleuth Kate Shackleton deserves a break. Heading off for a long-overdue holiday to Whitby, she visits her school friend Alma who works as a fortune teller there.
A MISSING GIRL
Kate had been looking forward to a relaxing seaside sojourn, but upon arrival discovers that Alma's daughter Felicity has disappeared, leaving her mother a note and the pawn…
I write historical crime fiction, and my latest novel is set in a hospital, a real place, now closed. The South London Hospital for Women and Children (1912–1985) was set up by pioneering suffragists and women surgeons Maud Chadburn and Eleanor Davies-Colley (the first woman admitted to the Royal College of Surgeons) and I recreate the now almost-forgotten hospital in my book. Events take place in 1946 when wartime trauma still impacts upon a society exhausted by conflict, and my book choices also reflect this.
A historical thriller set in south London just after World War II, as Britain returns to civilian life and the men return home from the fight, causing the women to leave their wartime roles. The South London Hospital for Women and Children is a hospital, (based on a real place) run by women for women and must make adjustments of its own. As austerity bites, the coldest Winter then on record makes life grim. Then a young nurse goes missing.
Days later, her body is found behind a locked door, and two women from the hospital, unimpressed by the police…
One cold dark night, as a devastated London shivers through the transition to post-war life, a young nurse goes missing from the South London Hospital for Women & Children. Her body is discovered hours later behind a locked door.
Two women from the hospital join forces to investigate the case. Determined not to return to the futures laid out for them before the war, the unlikely sleuths must face their own demons and dilemmas as they pursue - The Midnight Man.
‘A mystery that evokes the period – and a recovering London – in…
